VFX Showreel (2010)
I trained at Escape Studios, where I joined their production pods working on real film material for London VFX houses including MPC. That early experience led to work on major features such as X‑Men: The Last Stand, Sunshine and The Da Vinci Code, where I focused on roto, paint and rig removal. From there I moved into compositing and on‑set supervision, taking on VFX Supervisor roles for several independent films including In Your Dreams.
Working across both large studio productions and smaller indie projects gave me a practical understanding of how VFX integrates into the wider filmmaking process. That background now feeds directly into my work as an editor, helping me anticipate what the VFX department will need, provide clean frames, references and elements, and shape the cut in a way that keeps the work achievable, efficient and cost‑effective. It’s a technical foundation that supports the creative process and helps keep post‑production running smoothly.